My main areas of expertise underscore the relationship between music, sound, and technology in the 20th and 21st centuries, with particular emphasis on spatiality, embodiment, and materiality. 

As a researcher, I combine qualitative empirical methods with historical research and theoretical approaches drawn from the fields of sound studies, phenomenological philosophy, musicology, and music psychology. 

I am currently Research Associate in the Department of Music at the University of Sheffield, working on a project about music, intellectual property rights, and human–AI co-creation (PI: Prof. Nicola Dibben).

My doctoral thesis, funded by the UK’s Arts and Humanities Research Council via WRoCAH, explored headphone listening through a phenomenological lens, with emphasis on individuals’ experiences of embodied space, mediated social relations, and the materiality of technology.