My experience as a freelance score consultant is varied, though I tend to work on new music that treads the line between the so-called 'classical' and 'alternative' spheres.

My major area of expertise is work for strings and choir, though I have also worked on several projects for full symphony orchestra.
 
I work well in diverse contexts, at times engaging deeply by guiding composers through different options for their musical visions, and other times working to tight deadlines and copy-editing briefs in advance of live performances and recording sessions.
 
Previous clients include Jools Holland, working as transcriber for a new work featuring Lang Lang; Nitin Sawhney CBE, working as transcriber, engraver, and proofreader on commissions for Yo-Yo Ma, the Barbican (featuring the National Youth Orchestra of Great Britain), Coventry City of Culture, as well as for two orchestral shows at the Royal Albert Hall in 2019 and 2021; Bill Ryder-Jones, arranging his beautiful Yawny Yawn for string quintet as part of the opening of Liverpool's new Tung Auditorium; Erland Cooper, transcribing, engraving, arranging, and co-writing in various capacities for his solo work since 2018; Anna Phoebe for her ongoing multimodal science communication projects Sea Souls and Between Worlds, during which I've acted as transcriber, consultant, and additional arranger; Anathema's Vincent Cavanagh as arranger and consultant; BISHI, with whom I've worked on new commissions and reworked versions of existing music; and Lola de la Mata on a new piano commission for Zubin Kanga.
 
As a conductor's assistant, I worked under Hannah Peel during her work with Paul Weller for his orchestral shows at London's Royal Festival Hall, with responsibilities including advising on orchestral parts and high-speed score-editing. I am also currently working as a composer's assistant for Anna Phoebe at her studio in Deal, Kent.